MADE IN TAMRON Tamron's Manufacturing: Based on People and Technologies

Top > Tamron's 'Monozukuri' > An Inspiring Visit to a Plant Overseas > No.5 : The other vitally important area of an interchangeable lens

Kimio Tanaka

Kimio Tanaka graduated from the Photo Department of Tama Art School, Tama Art University and is a freelance photographer. He mainly specializes in taking photos of automobiles, but also covers a number of other genres, including portraits, landscapes and snap photos. His principal published works include Digital Ichigan Jotatsu Koza (Digital Single Lens Improvement Lecture), Digital Ichigan “ Kokanrenzu Nyumon (Digital Single Lens Interchangeable Lens Introductory Book) (both published by ASCII MEDIA WORKS), Digital Ichiganrefu - Shashin no Torikata (Digital Single Lens Reflex Camera Photo Taking Methods) (published by Gijutsu-Hyohron Co., Ltd.), Meisha Koyuroku (Acquaintance with Fine Cars) (published by Hara Shobo), and Meisha Tankyu (Searching for Fine Cars) (published by Rippu Shobo Publishing Co., Ltd.). He has held a number of photo exhibitions. At present, he is publishing information about cameras and lenses together with opinions about photos through his photo blog, “Photo of the Day,” and Twitter @thisistanaka.
The web page
http://www.thisistanaka.com/

“The other vitally important area of an interchangeable lens”

   It is naturally very important to create an interchangeable lens with superb depictive quality and excellent optical design and technologies. As a result, optical designers tend to be in the spotlight frequently, and there seems to be an impression that optical designers are THE key persons who have a definitive influence on whether or not a lens turns out to be an excellent product.
   But when we think about the interchangeable lenses we use, it is clear that merely ensuring a superior optical design is not sufficient.

   While high-level technologies for grinding and polishing lens elements just as specified in the drawings of optical designers are certainly important, we should not overlook the importance of the design work for the lens barrel (main barrel, lens frame), which allows for the smooth movement of the optical lens element groups while holding them firmly.
   In addition, unless excellence is ensured for the AF and VC (vibration compensation) systems, the electronic components, and the software programs controlling them, it is not possible to say that it is a good interchangeable lens.

   Regarding each of the latest interchangeable lenses, the AF unit, VC unit, aperture unit, and the IC and the electronic substrates for controlling them are squeezed into a very narrow space. It is necessary to place important units and components as well as lens element groups inside the lens barrel in a compact, efficient configuration.
   Designing the lens barrel (main barrel) by paying careful attention to the minute details is needed here, planning the individual parts and their shapes so that the installed parts never become loose or come off, while ensuring smooth movements.

   At Tamron, the divisions in charge of mechanism design are responsible for the overall design of these mechanisms and configurations. At other manufacturers, labels such as “frame design” or “mechanical design” may be used for the departments in charge.
   In this article, I would like to shed some light on several areas of the mechanism design work carried out at Tamron. (I may provide more in-depth explanations of Tamron’s electronic design for AF and VC, etc. another time if there is an opportunity.)
 

01

   The illustration on the left above is a schematic diagram of the lens element groups comprising a 16-300mm F/3.5-6.3 Di Ⅱ VC PZD MACRO (Model B016), and on the right is a full-size model cut to show the cross sections. Looking at the schematic diagram illustration of the lens on the left, it may look as if there are “spaces” everywhere. In fact, as shown in the photo on the right, multiple layers of the lens barrel and the AF and VC units, etc. are tightly incorporated into the space. In other words, it is configured so that while zooming, the barrel and the element groups move smoothly forward and back.

 

   A mechanism designer is at times told by the engineers in charge of the design of electronic components, “There is no longer enough space to incorporate the necessary parts,” and receives demands from optical designers such as, “Please devise a mechanism to enable this lens element group to smoothly move at high speed.” Trying to accommodate these requests and also racking their brains with regard to the processing cost and the parts cost, a mechanism designer keeps moving forward valiantly with the design process.
   You should also not discount the personnel in charge of assembling the lens at the plant. They may at times demand something like, “Please change this to a design that allows for easier assembly,” as a result of which the mechanism designer has no choice but to make a design change.

   Proceeding with the design while listening to these demands and requests from various divisions, making adjustments and promoting coordination (and also sometimes humbly asking for cooperation and help) is the work and life of a mechanism designer. I suspect that their division is maybe the one that has to go through the most hardships among all the divisions of interchangeable lens designers. In fact, while using interchangeable lenses, I often feel like this: “Hey, the mechanism designers must have really put a lot of effort into creating this particular lens!”

   When focusing or zooming, the lens element groups move to and fro inside an interchangeable lens, and achieving perfectly smooth movements for them through design is an area where mechanism designers can truly show their skills and expertise. (Autofocusing at high speed is required, so nowadays, small lens element groups move forward and backward driven by a motor.)
   For both zooming and focusing, most interchangeable lenses now adopt a method of rotating the barrel area, including the focusing ring and the zoom ring. Inside the lens, multiple optical lens element groups move to and fro, so this requires a mechanism for converting the rotational movements into linear movements, with smooth, rapid movements a must.
   A drive mechanism called the “cam groove” is in place to do this job.
 

vol-5_02

   For the cam grooving to create a lens barrel, machining is performed a number of times on an aluminum die-cast cylinder. Shown in the photo on the left is the aluminum cylinder before machining, and the result of primary processing to approach the designated geometry and shape. Cam grooving and surface treatment are then performed to complete the part, as shown in the photo on the right. Extremely precise machining accuracy is required for the entire process. This is one of the focusing cam barrels (barrel for driving the AF lens group) of the 16-300mm (Model B016), to which an anodic oxide coating is subsequently applied to turn it black. At the Tamron plant in Foshan, China.

 

   Narrow grooves are cut in a cylindrical lens barrel, and with cam pins moving along these grooves, the multi-layered barrel moves to and fro. In addition, the lens groups do not necessarily make uniform movements forward and backward. Sometimes, a certain lens element group moves forward slowly, and simultaneously, another lens element group moves in the opposite direction at a rapid pace.
   In the case of a zoom lens and for the floating system of the SP 35mm F/1.8 Di VC USD (ModelF012) as already explained in blog No.3 of this series, the lens element groups move in very complex ways. This means that the design of the cam grooves and whether really precise machining is performed to complete the parts will largely determine the level of operability when focusing and zooming.

   To create a lens barrel with cam grooves, either a frame made of plastic molding or a metal frame made of aluminum is usually used. The advantages of a frame made of plastic molding include the fact that mass production is possible at a lower cost. While the benefits of a metal frame made of aluminum include greater durability and smoother cam movements, it takes more time and labor to produce one.
   Excluding some less expensive lens products, Tamron has consistently continued using a metal frame made of aluminum for its lens barrels, showing Tamron’s commitment to not compromising on quality.
   While aluminum is a light metal, it is naturally heavier than plastic. Compared to a frame made of plastic molding, which can easily be produced through injection molding, it takes a great deal of time and cost and advanced technical capabilities to undertake cam grooving in the case of a metal frame made of aluminum.

   Some manufacturers use metal for the lens exterior that is touched by the customer’s hands, while using plastic molding for the inner barrel. But Tamron goes the opposite way, using a metal barrel inside where it cannot be seen by prioritizing precision and strength, while using plastic molding on the lens exterior by placing priority on weight reduction.
   If you look again at the photo showing the lens cross sections (photo-01 above), the areas that look white in the barrel are the metal frames made of aluminum, while those that look black are the frames made of plastic molding. Many of Tamron’s interchangeable lenses are the results of such dedication to quality and attention to the fine details.
 

vol-5_03

   This is a café located in downtown Foshan. In front of the café, just before the evening sets in, the shop manager may be giving instructions to the staff or advice to new staff members. My personal impression of the staff working in the restaurants and shops of Foshan on this visit was that they have become kinder and much more amiable compared to how they used to be in China on my past visits. Anyhow, a lens with a built-in VC (vibration compensation) mechanism really helps to effortlessly capture images, doesn’t it? Even at a slow shutter speed, you can casually take snapshots without worrying about camera shake, and without letting that photo opportunity slip away.
   28-300mm F/3.5-6.3 Di VC PZD (Model A010), Aperture-priority automatic exposure (F/8, 1/30 second), -0.3 EV exposure compensation, Auto ISO (ISO 450)

 

   Tamron has been a pioneer of high-power zoom lenses. A high-power zoom lens requires a lot of movements for zooming, with the lens element groups moving in complicated ways. Zooming from the wide angle end to the telephoto end changes the overall lens length, with the weight balance of the lens also shifting considerably.
   Despite this, careful attention to detail enables very smooth zooming. Another aspect of Tamron’s zoom lenses to which I would like to draw your attention is that there are now very few lenses with any downward movement under the lens’ own weight.
   In the past, when you pointed a zoom lens upward or downward while shooting, this led to unintended zooming in some cases because of the lens’ own weight. But nowadays, you rarely, if ever, experience this with Tamron’s zoom lenses. This must be thanks to a lot of hard work on the part of their mechanism designers.

 

 

   Along with the design of the cam grooves, another very important factor is lens assembly. Whether a screw is fastened with the right amount of tightening in a subtle way and whether operation checks after assembly are performed with careful attention actually count for a lot. To ensure a smooth operational feeling without fail when zooming and to prevent any unintended downward movement under its own weight, it is important to pay attention to the smallest details and make fine adjustments.
   Whether careful work is performed with attention to detail in lens assembly basically determines the actual quality of the lens.

   In my next blog, I would like to provide explanations of various aspects of the grinding and polishing of each optical lens, which is a very important area for an interchangeable lens. Please look forward to our adventure as we gradually move into the actual Tamron plant.
 

vol-5_04

   I like to casually walk around town in Tokyo with just one camera fitted with a high-power zoom lens in my hand. To avoid allowing remarkable photo opportunities to slip away, it is important to walk with a camera in your hand rather than putting it in a camera bag. When your camera is in a bag, you may sometimes feel that it is too much of a hassle, and let that photo opportunity pass. Approaching from the other direction was a dog in fancy clothing resting his paws on the handlebars of a bicycle. I asked the owner and took a number of photos of this dog which, to my surprise, struck a pose just as I held up the camera,.
   16-300mm F/3.5-6.3 Di Ⅱ VC PZD MACRO (Model B016), Programmed auto mode (F/6.3, 1/320 second), -0.3 EV exposure compensation, Auto ISO (ISO 800)

Kimio Tanaka

Kimio Tanaka graduated from the Photo Department of Tama Art School, Tama Art University and is a freelance photographer. He mainly specializes in taking photos of automobiles, but also covers a number of other genres, including portraits, landscapes and snap photos. His principal published works include Digital Ichigan Jotatsu Koza (Digital Single Lens Improvement Lecture), Digital Ichigan “ Kokanrenzu Nyumon (Digital Single Lens Interchangeable Lens Introductory Book) (both published by ASCII MEDIA WORKS), Digital Ichiganrefu - Shashin no Torikata (Digital Single Lens Reflex Camera Photo Taking Methods) (published by Gijutsu-Hyohron Co., Ltd.), Meisha Koyuroku (Acquaintance with Fine Cars) (published by Hara Shobo), and Meisha Tankyu (Searching for Fine Cars) (published by Rippu Shobo Publishing Co., Ltd.). He has held a number of photo exhibitions. At present, he is publishing information about cameras and lenses together with opinions about photos through his photo blog, “Photo of the Day,” and Twitter @thisistanaka.
The web page
http://www.thisistanaka.com/

PageTop